When it comes to Salvador Dali artwork, chances are you are most familiar with his surreal pieces. Dali was extremely famous for his dreamlike landscapes, such as is seen in The Persistence of Memory, commonly called “the melting clocks,” or his Ship with Butterfly Sails. His paintings have the ability to transport viewers from an ordinary world to a far more intriguing one usually not seen outside of your subconscious in the dead of night. However, while we all love his paintings, not as many know about his bronze arts. Salvador Dali sculptures are just as magnificent in a whole different light as his work with a brush.

Salvador Dali’s Bronze Sculptures are Continuously Sought After

Like many of his paintings, Salvador Dali’s famous sculptures can carry a viewer away. While some of his pieces are more basic, such as his Man with a Butterfly, which depicts a nude man holding a butterfly on the end of what appears to be a stick, they have a much deeper meaning. This piece, for example, carries the deeper message of the man leaving this world to move to a different physical plane in which he can live freely and happily. Others, though, are surrealist arts through and through. For example, there are a wide range of different clocks that appear to be melting, much like we saw within the Persistence of Memory. In fact, there is a sculpture based off the painting with the same name. Other clocks include Persistence of Time and Nobility of Time. Dali went through various phases when working on his bronze sculptures, each with a different name, theme, style, and deeper meaning.

Dali’s Art Collections

Dali has a great number of fantastic quality bronze sculptures and they can be divided into two main categories- museum size and monument size. Each collection has 29 pieces and 15 pieces respectively. These were, for the most part, created using the same lost wax method that has transcended through the years as this art style has progressed.

• Museum Size

Museum size sculptures are some of his more famous works. These are exactly what they sound like. These pieces are medium sized pieces that travel to different museums along with different exhibits. They have been viewed by more than 10 million people worldwide and provide a large emotional impact. These pieces are primarily based on items that were prominent throughout Dali’s life, particularly in childhood, and became icons throughout his work. Some of his museum pieces that you may recognize include Adam and Eve, Danilian Dancer, and Dance of Time I, II, and III. Clocks are still prominent, as well as surreal views of people, animals, and landscapes.

• Monument Size

Dali’s monument sized collection also travels the world and has been moving around since 1989. These pieces have been showcased in Rome, Hong Kong, London, Sydney, Singapore, and countless other important or tourist heavy cities. Some of these share names and images with museum sized pieces, such as Dance of Time II and Persistence of Memory. Others, though, are exclusively large-scale outdoor statues, such as Woman Aflame and Saint George and the Dragon. These timeless pieces bring in tourists and business for the companies surrounding the pieces, but also reveal a transcendent emotional value as with any classic art piece.

Isidore Bonheur was born into a family of artists with a wide range of talents in 1827. Like the rest of his family, he inherited a skilled hand in various art forms. However, he had a particular mastery over bronze sculpture and a passion for the trade. Bonheur’s sculptures were incredibly detailed and realistic, and he was known for his ability to capture the essence of animals in his work. To this day, many still regard him as the best Animalier sculptor to grace art’s magnificent history.

Isidore-Jules Bonheur Had a Range of Talents

Bonheur’s most well-known piece is his bronze horse sculpture, Le Grand Jockey. The most famous casting shows a jockey patting his winning horse on the neck in exquisite detail, down to the veins in the horse’s legs and neck. The sculpture is an excellent example of Bonheur’s mastery of his craft and attention to detail.

In addition to the horse sculpture, Isidore’s bull and bear sculpture remains a favorite of fans of his work. The piece depicts a battle between a bull and a bear in which the art expertly demonstrates incredible tension while maintaining a high level of detail and realism. However, though they are some of the most famous, they are far from the only Bonheur pieces you may have seen.

Isidore’s older sister, Rosa, frequently collaborated with him. They made pieces in pairs, complimenting both art styles and bringing the pieces together. This was generally true regarding his domestic cattle, sheep, and/or equestrian pieces. However, he did not stop at these common animals and frequently did pieces with more wild elements, such as lions, bears, and hunting groups, on his own.

He Earned Lasting Recognition

While many artists, such as Vincent Van Gogh, received little to no recognition before their lives were over, Isidore received great respect during and after his life. To this day, his works are among those most highly praised at the French Animalier school. He is consistently ranked among the finest of his time and has left a lasting impression on the path that the Animalier style of art has taken. His talent was never taken for granted or denied by onlookers.

Bonheur earned lasting recognition for his work, and art enthusiasts still admire his sculptures today. A life-sized casting of his eight-point stag piece is currently on display in the Perigueux Museum. He also completed three monuments still standing today, including a piece he created for his late sister, whom he met in his final two years. The other two are lions he crafted to guard the Palais de Justice.

Throughout his life, Bonheur was commissioned outside of his home country of France, including palace pieces for King Edward VII of England and two large bulls to decorate the palace of the Sultan of Constantinople. His works are immortalized not only in person but also in literature. Bonheur’s life has been explored, analyzed, and appreciated in over a half dozen books between 1914 and 1971. The internationally renowned sculptor has gone down in history and will continue to inspire art enthusiasts for years.

In conclusion, Isidore Bonheur was a master of Animalier sculpture, whose attention to detail and ability to capture the essence of animals earned him lasting recognition. His sculptures continue to be admired by art enthusiasts today, and his legacy continues to influence the Animalier art style. Bonheur’s life and work have been explored in literature, and he has left a lasting impression on the art world that will continue to be felt for years.

Henry Moore was born and raised in Yorkshire but traveled far and wide, learning all that he could about art in all its forms and the world around him. From an early age, he knew that he wanted to pursue art. However, his family was not very accepting of his work at this time, and he had to put off formal training and education for quite a few years. He explored many avenues in life before becoming a renowned artist, talented, and revolutionary. While a Henry Moore sculpture may sound unfamiliar to you now, there was a time when his name would have gained near-instant recognition. However, after his death, his reputation was significantly diminished.

When Did Henry Moore Make His First Sculpture?

Throughout his childhood, art was not heavily supported by his family. In fact, he went through a wide variety of jobs before becoming exclusively an artist. If he was not able to pursue art young and had to work elsewhere later, it begs the question of when his first true sculpture came into existence. Not only that, but after all that time waiting, what was Henry Moore’s first sculpture? Pushing toward his ultimate artistic goal, Moore worked as a teacher, a soldier, and a physical therapy instructor. He returned to teaching later in life. It was there that he received his first public commission. West Wind was the first of eight separate relief sculptures Moore completed between 1928 and 1929. The piece depicts a man in a semi-abstract form that is integrated into the wall of London Underground’s headquarters.

His Work Changed Over Time

In July of 1929, Moore married Ms. Irina Radetsky. For a while, she posed for his art. His art focused more often than not on his humanitarian values and a repeated motif of mother and child, along with his reclining figure making several appearances. He goes through several stylistic periods throughout his life. For example, he begins his carving period with his first reclined figure piece, carved out of brown Hornton stone. This piece is influenced by Aztec art, predominantly. As his art progresses, this figure makes several reappearances.

In fact, it makes another appearance shortly after the first reclining figure is released, as his art evolves again. This next piece takes a far more surrealistic yet still constructivist approach and is a 4-piece configuration of stones (called Four-Piece Configuration) that creates the essence of a reclined figure.

This combination of surrealism and constructivism continues for several years, as evident in his 1939 piece Bird Basket, which carries geometric elements of constructivism while retaining the biomorphic form of surrealism. It explores not only what he can do with the sculpture itself but what can be said about the negative space surrounding it as well.

Finally, in some of his later pieces, Moore explored both internal and external forms. Much like how the hard shell of a lobster claw hides the soft meat, his hard exteriors hide different textures or materials within. This was exemplified in his piece Helmet, in which he explored the differences between hard and soft in one cohesive piece.

While the decision of which of these masterpieces is Henry Moore’s best sculpture remains up for interpretation, no one can deny that he was among the best and most important artists of the 20 th century. He brought a perspective no one had considered prior and held extreme influence in the artists following him.

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For centuries, bronze has been (and continues to be) the most popular metal for casting artistic sculptures. It can be used in any shape or size, can be colored as the artist likes, and can be used for relief sculptures or sculptures in the round. Many artists have tried their hand at working with the metal, but the game changed in the 20 th century when new artists began creating new and more abstract statues. One of these artists was Henry Moore, a revolutionary who changed the face of bronze sculpting for years to come. In fact, Henry Moore’s first sculpture, West Wind (commissioned by the school he had been working for), is still a recognizable figure today.

Who Was Henry Moore?

Henry Moore sculptures highly influenced the development of bronze sculptures, but to understand what he created, you need to understand him as a person. Henry Moore was born and raised in Yorkshire to a non-artistic family as the 7 th of 8 children. In fact, his parents originally did not want him training to be a sculptor at all. Moore was a humanitarian who was a soldier, a physical therapy instructor, a teacher, and finally an artist. He saw all kinds of walks of life and experienced many art forms. Moore spent years working with bronze sculpting, but eventually moved on to more modern methods when creating sculptures, such as direct carving. Henry Moore’s bronze sculpture period, though, had many influences and proceeded to influence many others.

What Impacted Moore?

Every artist gets their “spark” so to speak from somewhere. For Moore, he found a large part of his inspiration from the people around him. He had a deep sense of humanitarianism and found many of his ideas through visuals of mothers with children along with analogies he created, combining someone with the landscape around them. He also drew inspiration largely from non-western art he saw at the British Museum. He took inspiration from predominantly Latin American art as well as Egyptian and African. Many bronze workers at this time focused on very detail oriented and realistic creations. Moore introduced a new element.

While working with Bird Basket, Helmet, and other antique bronze pieces, Moore spread the idea of semi-abstract art. Many of his pieces had a basic shape that one could see clearly and put a name to. However, they did not follow precisely what you would expect to see. They involved elements of internal and external forms. They also used different details than you would traditionally expect, or neglected them entirely.

His Legacy

As his work progressed, many found faults because of just how nontraditional it was. After his death, his work became even less well-known, liked, or reputable. His bronze work is also often overshadowed by his other means of production. However, these new ideas and concepts that he introduced prevailed, inspiring others to continue with the forms where he left off. Those who worked closely with him, such as Anthony Caro and Phillip King, were highly influenced by his artistic mind and undoubtedly learned from his work.

Best Place To Sell Bronze Sculptures

Ultimately, the best place to sell your bronze sculptures will depend on your personal preferences and the goals you have for your artwork. Consider the various options available and choose the one that aligns with your priorities. You could also consider selling your bronze sculptures to us. We at Antique Silver Buyers offers the best possible prices for them.

Without a doubt, Erte ranks highly among the best sculpture artists of all time. He is known as the Father of Art Deco and his works are recognizable, hold deep value and meaning, and have transcended the years without fading from the hearts of their admirers. An Erte bronze sculpture can sell for thousands of dollars in today’s market and are incredibly popular with those who can afford such a luxury. Erte had several different periods within his work and worked with a variety of media. His bronze sculptures in particular, though, hold an incredible value in the hearts of thousands. Influenced by the theater (as well as film) and fashion, his pieces captured the world around him while also capturing the fluidity and motion that are the essence of life.

Erte Changed the Game in the 20 th Century

There is something to be said about the absolute uniqueness of an Erte sculpture and carvings associated with each unique piece. While an Erte sculpture may contain elements that carry tones of his predecessors, he took what he learned to make his pieces 100% his own. For many artists in this time, working with statues or sculptures meant creating something large and memorable. In fact, they were often categorized into two main groups based on size –
monumental and museum sized.

Erte wanted something different. Most of his bronze sculptures are under two feet tall. This enhanced their decorative purpose, making them far more versatile when it comes to where they could be used. Erte spurred on a whole new art movement not once, but twice! He started the Art Deco movement in his younger years, and after revisiting the concept as an elderly man, it was reborn. These pieces influenced more people than he could count during his life, and continue to inspire many to this day.

Erte’s Most Popular Bronze Pieces

Erte took influence from all over the world. They carried tones of the land from which the inspiration was taken, whether that was Paris, where he moved pursuing higher art, America, Ancient Greece, or Arabia. Each piece was unique and carried its own strengths. His work spans the globe, bringing people, cultures, and ideas together in one small, cohesive masterpiece. It is from here that much of his appeal stems.

American Heiress, for example, tells a story just by looking at the piece. This had heavy American influence, hence the name. It accurately depicts not only the stereotypical attire of such a prestigious upper-class woman of that time, but the body language and flow of the work displays her attitude as well. It shows a glimpse into history, making it highly popular in today’s world. This is also evident in other American-based pieces as well, such as Broadway’s in Fashion. This piece combines the likeness of a woman with the stage in an expertly crafted and cohesive work of art.

Erte took inspiration from other global areas as well, often from Asian or Greek culture. This included traditional kimono-clad women such as in his Asian Princess along with goddesses such as in his Aphrodite piece. He also captured the culture of Saudi Arabia in Arabian Nights. This focus on lore and mythology captures images that you cannot see elsewhere as he brought life to stories like the Golden Fleece from ancient Greece. He gave the story a face, a personality, and an emotional side that it did not have before.

He didn’t always stray so far from home, though. Many of his pieces depicted scenes from home in France. He never failed to capture the fluidity and fleetingness of life. One of his most popular French-based pieces, Bella de Nuit, brings life to a period in history, very similarly to American Heiress. These are just a sampling of the many masterpieces that Erte created over his long life that leave his legacy strong to this day.

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